Elmer Snowden Quartet (feat. Cliff Jackson): Harlem Banjo! (1960) 1990
01. It Don’t Mean A Thing (If It Ain’t Got That Swing)
02. Doin’ The New Lowdown
03. Runnin’ Wild
04. Diga Diga Doo
05. Them There Eyes
06. Tishomingo Blues
07. C-Jam Blues
08. Sweet Georgia Brown
09. Alabamy Bound
10. Twelfth Street Rag
11. Bugle Call Rag
12. Dear Old Southland
Elmer Snowden – banjo;
Cliff Jackson – piano;
Tommy Bryant – bass;
Jimmy Crawford – drums
Recorded: Plaza Sound Studios, New York; December 9, 1960
RLP-348 /RS 9348
Original Jazz Classics
OJC-1756 [re-issue, re-master: 1990]
Producer: Chris Albertson
Engineer: Ray Fowler
Liner Notes: Chris Albertson
Cover design: Ken Deardoff
Remastered (1990) by: Phil De Lancie
Elmer Snowden (October 9, 1900 – May 14, 1973) was a banjo player of the jazz age. He also played guitar and, in the early stages of his career, all the reed instruments.
He contributed greatly to jazz in its early days as both a player and a bandleader, and is responsible for launching the careers of many top musicians. However, Snowden himself has been largely overlooked in jazz history.
Born in Baltimore, Snowden is remembered today mainly as the original leader of the Washingtonians, a group he brought to New York City from the capital in 1923.
Unable to get a booking, Snowden sent for Duke Ellington, who was with the group when it recorded three test sides for Victor that remain un-issued and are, presumably, lost.
Ellington eventually took over leadership of the band, which contained the nucleus of what later became his famous orchestra.
Snowden was a renowned band leader – Count Basie, Jimmie Lunceford, Bubber Miley, “Tricky Sam” Nanton, Frankie Newton, Benny Carter, Rex Stewart, Roy Eldridge and Chick Webb are among the musicians who worked in his various bands.
Very active in the 1920s as an agent and musician, Snowden at one time had five bands playing under his name in New York, one of which was led by pianist Cliff Jackson. Unfortunately, most of his bands were not recorded, but a Snowden band that included Eldridge, Al Sears, Dicky Wells and Sid Catlett appeared in a 1932 film, Smash Your Baggage. Snowden also made numerous appearances as a sideman on almost every New York label from 1923 on. Unfortunately, he rarely received credit, except for two sides with Bessie Smith in 1925, and six sides with the Sepia Serenaders in 1934.
Though Snowden continued to be musically active throughout his life, after the mid 1930s he lived in relative obscurity in New York. He continued to play throughout the 30s, 40s and 50s, but was far from the limelight. After a dispute with the musicians union in New York, he moved to Philadelphia where he taught music, counting among his pupils pianist Ray Bryant, his brother, bassist Tommy Bryant, and saxophonist Sahib Shihab (Edmond Gregory).
Snowden was working as a parking lot attendant in 1959 when Chris Albertson, then a Philadelphia disc jockey, came across him. In 1960, Albertson brought Snowden and singer-guitarist Lonnie Johnson together for two Prestige albums, assembled a quartet that included Cliff Jackson for a Riverside session, Harlem Banjo, and, in 1961, a sextet session with Roy Eldridge, Bud Freeman, Jo Jones, and Ray and Tommy Bryant—it was released on the Fontana and Black Lion labels.
In 1963, his career boosted, Snowden appeared at the Newport Jazz Festival. He toured Europe in 1967 with the Newport Guitar Workshop. He moved to California to teach at the University of California, Berkeley, and played with Turk Murphy.
In 1969, Snowden moved back to Philadelphia, where he died on May 14, 1973.