Tommy Flanagan, John Coltrane, Kenny Burrell, Idrees Sulieman: The Cats (1957)

The Cats

Track list:

01. Minor Mishap
02. How Long Has This Been Going On?
03. Eclypso
04. Solacium
05. Tommy’s Tune


Tommy Flanagan – piano
John Coltrane – tenor sax
Idrees Sulieman – trumpet
Kenny Burrell – guitar
Doug Watkins – bass
Louis Hayes – drums

Recorded: Van Gelder Studio, Hackensack, New Jersey; April 18, 1957
Released: 1959
Label: New Jazz

Original Jazz Classics
OJC-079 [re-issue 1983]

Producer: Bob Weinstock
Recording Engineer: Rudy van Gelder

Liner Notes: Ira Gitler

1959 album was issued after Coltrane had ceased recording for the New Jazz label.
Also issued in 1976 as sides ‘C’ and ‘D’ on double-LP “Kenny Burrell/John Coltrane” [Prestige P-24059]

Kenny Burrell John Coltrane [P-24059]


In 1957, the greatest year for recorded music including modern jazz, Detroit was a hot spot, a centerpiece to many hometown heroes as well as short-term residents like John Coltrane and Miles Davis.

It was here that Trane connected with pianist Tommy Flanagan, subsequently headed for the East Coast, and recorded this seminal hard bop album.

In tow were fellow Detroiters — drummer Louis Hayes, bassist Doug Watkins, and guitarist Kenny Burrell, with the fine trumpeter from modern big bands Idrees Sulieman as the sixth wheel.

From the opening number, the classic “Minor Mishap,” you realize something special is happening. Flanagan is energized, playing bright and joyous melody lines, comping and soloing like the blossoming artist he was.

Coltrane is effervescent and inspired, hot off the presses from the Miles Davis Quintet and searching for more expressionism.

The other hard bop originals, “Eclypso” and “Solacium,” easily burn with a cool flame not readily associated with East Coast jazz.

Flanagan himself is the catalyst more than the horns — dig his soaring, animated solo on “Eclypso” as he quotes “Jeepers Creepers.”

The near 12-minute blues “Tommy’s Tune” is the perfect vehicle for Burrell, a prelude for his classics of the same period “All Day Long” and “All Night Long.”

The lone trio session, on the standard “How Long Has This Been Going On?,” is regarded as quintessential Flanagan, and quite indicative of the Midwestern Motor City flavor Flanagan and his many peers brought into the mainstream jazz of the day and beyond.

One yearns for alternate takes of this session. T

he Cats is a prelude to much more music from all of these masters that would come within a very short time period thereafter, and cannot come more highly recommended.

It’s a must-buy for the ages.
~Michael G. Nastos[]