Elvin Jones: Dear John C. (1965) 1993

Dear John C [2008]

Track list:

01. Dear John C.
02. Ballade
03. Love Bird
04. Everything Happens to Me
05. Smoke Rings
06. This Love of Mine
07. Anthropology
08. Feeling Good
09. Fantazm
+ bonus track [*not on original album]
10. That Five-Four Bag [*]


Charlie Mariano – alto sax;
Roland Hanna – piano (#1-3);
Hank Jones – piano (#7-10);
Richard Davis – bass;
Elvin Jones – drums

Recorded: Van Gelder Studio, Englewood Cliffs, New Jersey;
#1-4: February 25, 1965
#5-10: February 23, 1965
Released: 1965
Label: Impulse!

GRD-126 [1993]

Producer: Bob Thiele
Recording Engineer: Rudy van Gelder

Photography: Robert Flynn
Design: Joe Lebow

Re-issue (1993) Producer: Michael Cuscuna
Executive Producers: Dave Grusin, Larry Rosen

Liner Notes: Don Heckman

Photography: Charles Stewart
Design: Jackie Salway

Dear John C [1965]


The second album by Elvin Jones as sole title rights leader (excluding the co-op ensemble that recorded the stunning and essential progressive jazz icon Illumination!) has the drummer sounding more like a backup musician, as he claims no compositional duties or noticeable solo space.

In fact, this is one of the very best albums in the career of alto saxophonist Charlie Mariano, who occupies the bulk of lead lines and improvising responsibilities.

He’s so up-front, and on an instrument that is not John Coltrane’s main instrument — the tenor sax — that the title is also a bit of a misnomer.

The value of Jones as a bandleader lies in his concept of using fellow Detroiter Sir Roland Hanna or brother Hank Jones on selected tracks, or in the case of three tracks, no pianist.

Bassist Richard Davis rounds out this truly brilliant ensemble of burgeoning mid-’60s jazz stars, who play an enticing collection of standards, bop, compositions of Bob Hammer, and originals from several modern sources. A stone cold be-bopper and Charlie Parker devotee at the time of this recording.

Mariano is the standout performer.

He swings easily but mightily on the title track paralleling Coltrane’s “Milestones,” stretches the Charles Mingus evergreen “Reincarnation of a Lovebird” (titled here as “Love Bird”), and pulls out all the stops with Hank Jones during an only slightly flawed (they miss two notes) version of the tricky “Anthropology.”

They tack a calypso beat onto Duke Ellington’s “Fantazm” in a playful, modern dress, and stroll on the quirky Hammer composition “That Five-Four Bag” as an offshoot retort to Dave Brubeck’s “Take Five.”

The three tracks sans piano include a walking version of “Everything Happens to Me”; the ballad “Smoke Rings,” where the band excepting Mariano is relaxed; and Frank Sinatra’s “This Love of Mine,” where the emotive saxophonist dips into humor, even a bit ribald.

The variety from cut to cut is engaging, and there’s nothing over the top, even the drumming of Elvin Jones.

With the musicality at a high level, Dear John C. needs revisiting by drumming students and jazz fans to note how team-work, shared values, and held-in-check dynamics benefit the overall quality of music.

It seems this recording is underrated when over time it should never be. Dear John C. is deserving of an excellent rating.
~Michael G. Nastos[]